66 Royalty-Free Audio Tracks for "William Byrd"

William Byrd, The Bells

Byrd, Earle of Salisbury Pavane

Byrd Pavane 'The Earl of Salisbury', 1612

This is "Stile Antico sings Byrd's Ave Verum Corpus" by StPaulsIndy on Vimeo, the home for high quality videos and the people who love them.

Modern Music from Psalm Singer's Amusement by William Billings (1781). Lyrics: we are met for a Concert of modern invention To tickle the Ear is our present intention Audience are seated expecting to be treated with a piece of the Best with a piece of the best & since we all agree to set the tune on E the Authors darling Key he prefers to the rest let the Bass take the Lead & firmly proceed till the parts are agreed to... let the Tenor succed & follow the Lead till the parts are agreed to... let the Counter inspire the rest of the choir inflamed with desire to... let the Treble in the rear no longer forbear but expressly declare for a... ...fuge away then change to brisker time & up the Ladder climb & down again the mount the second time & end the strain then change the Key to pen five tones & flow in Treble time the Notes exceeding low keep down awhile then rise by slow degrees the process surely will not fail to please Thru Common & Treble we jointly have run we'll give you their Essense compounded in one all though we are strongly attached to the rest six four is the movement that pleases us best that pleases us best six four is the movement that pleases us best & now we address you as Friends to the cause performers are modest & make their own laws although we are sanguin & clap at the Bang the part of the hearer's to clap their Applause to clap their applause the part of the hearer's to clap their Applause

She Weepeth Sore in the Night, four voice round by William Lawes (1602 – 1645).

Italiano: Gioacchino Rossini: "Tutto cangia, il ciel s'abbella" - Finale dal Guglielmo Tell (1828) per sintetizzatore. Versione musicale con File audio prodotto su un banco Musyng Kite da 0,99 Gigabyte, compilato da Cose Vidal il 24 maggio 2014 con licenza CC-BY-SA

Chester performed by the USMC Band

Sound file of "Chester" by William Billings Digital recording, made with an acoustic piano and Audacity software by Opus33. This music is in the public domain. The recording is not copyrighted, and it is hereby released by Opus33 into the public domain. The following tag, though it is not quite accurate, is included in order to authorize this file according to the Wikipedia rules:

Sohini Qawwali is a sitar solo recorded in 1904 by Imdad Khan. Sohini Qawwali – solo na sitarze w wykonaniu Imdada Khana z 1904 roku.

A recording of a full orchestra playing the William Tell Overture by Gioachino Rossini

Song: I Want a Girl (Just Like the Girl That Married Dear Old Dad). Composed by Harry Von Tilzer (music) and William Dillon (lyrics). Performers: American Quartet.  

Violin telugu (pallavi) played by Narayanasami Iyer Pudukottai. Recorded in Madras by William Sinkler Darby & Max Hampe . Gramophone 17934.

Sound file: the opening notes of "Rose of Sharon" by William Billings Digital recording, made with an acoustic piano and Audacity software by Opus33. This music is in the public domain. The recording is not copyrighted, and it is hereby released by Opus33 into the public domain. The following tag, though it is not quite accurate, is included in order to authorize this file according to the Wikipedia rules:

William Tell overture (second half)

Malaysian quasim. [1]

Bengali song.

Aria from Mefistofele sung by Enrico Caruso accompanied by Salvatore Cottone on piano.

Aria from Mefistofele sung by Enrico Caruso accompanied by Salvatore Cottone on piano.

Gioachino Rossini's William Tell Overture (1829) on the Grand Scenes (2000) album performed by the United States Marine Corps Band, recorded June 5–9, 2000, at the Center for the Arts, George Mason University, Fairfax, Virginia. Ranz des Vaches begins at 5:14 and finale at 7:30.

Hindustani song.

Aria from Rigoletto sung by Enrico Caruso, accompanied by Salvatore Cottone on piano.

Hindustani song.

Aria from Tosca sung by Enrico Caruso accompanied by Salvatore Cottone on piano.

Thumri - Hindustani song.

Danza espanola, op. 37, h. 142 - xii. arabesca

Hymn tune St. Anne ("O God, our help in ages past") In Christus gilt nicht Ost noch West, Evang. Gesangbuch (Niedersachsen-Bremen) 573

Aria from Manon sung by Enrico Caruso accompanied by Salvatore Cottone on piano.

Aria from L'elisir d'amore sung by Enrico Caruso accompanied by Salvatore Cottone on piano.

Aria from Iris sung by Enrico Caruso accompanied by Salvatore Cottone on piano.

Aria from Germania suny g by Enrico Caruso accompanied by Salvatore Cottone on piano..

Aria from Germania sung by Enrco Caruso, accompanied by Salvatore Cottone on piano. Studenti! Udite! – aria z opery Germania Alberto Franchettiego w wykonaniu Enrico Caruso zarejestrowana w Mediolanie przez Freda Gaisberga. Čeština: Árie Studenti! Udite! z opery Germania italského skladatele Alberto Franchettiho. Jde o první nahrávku slavného Enrica Carusa, nahrál americký muzikolog Fred Gaisberg dne 11. dubna roku 1902. Македонски: Првата снимка на Енрико Карузо од изведба во 1902 г. — аријата Студенти! Слушајте! од операта Германија на Алберто Франкети.

Aria from Aida sung by Enrico Caruso accompanied by Salvatore Cottone on piano.

1 Ruffle and Flourish and Flag Officer's March performed by the Concert Band of the United States Air Force Heritage of America Band. Track 41 from disc 1 of Ceremonial Music (2005).

2 Ruffles and Flourishes and Flag Officer's March performed by the Concert Band of the United States Air Force Heritage of America Band. Track 40 from disc 1 of Ceremonial Music (2005).

4 Ruffles and Flourishes and Flag Officer's March performed by the Concert Band of the United States Air Force Heritage of America Band. Track 38 from disc 1 of Ceremonial Music (2005).

3 Ruffles and Flourishes and Flag Officer's March performed by the Concert Band of the United States Air Force Heritage of America Band. Track 39 from disc 1 of Ceremonial Music (2005).

God of Our Fathers performed by the Concert Band of the United States Air Force Heritage of America Band. Track 55 from disc 1 of Ceremonial Music (2005).

Recording of "Hostias Et Preces" by Eugenio Terziani (1824-1889), sung by the last surviving castrato of the Pope's choir, Alessandro Moreschi (1858-1922). Duration of recording: 2 minutes 9 seconds Català: Una gravació de "Hostias Et Preces" d'Eugenio Terziani (1824-1889), cantada per un dels últims castrato del Cor de la Capella Sixtina, Alessandro Moreschi (1858-1922). La gravació de Moreschi, és la única existent d'un cantant castrato, sent un testimoni sonor únic d'aquesta tradició musical. Una grabación de "Hostias Et Preces" de Eugenio Terziani (1824-1889), cantada por uno de los ultimos castrati de la historia, Alessandro Moreschi (1858-1922) del Coro de la Capilla Sixtina. La grabación de Moreschi, es la única existente de un cantante castrato, siendo un testimonio sonoro único de esta tradición musical Suomi: Eugenio Terzianin (1824-1889) tallenne viimeisen paavin kastraattikuoron jäsenen Alessandro Moreschin (1858-1922) laulamasta kappaleesta "Hostias Et Preces". Enregistrement de Hostias Et Preces par Eugenio Terziani (1824-1889), interprété par Alessandro Moreschi (1858-1922). Italiano: Una registrazione di "Hostias Et Preces" di Eugenio Terziani (1824-1889), cantata da uno degli ultimi castrati della storia, Alessandro Moreschi (1858-1922) del coro del Cappella Sistina. Le registrazioni di Moreschi, essendo le uniche esistenti di un cantante castrato, forniscono una testimonianza sonora unica di questa tradizione musicale Македонски: „Нафора и молитви“ (Hostias Et Preces) од Еугенио Терцијани (1824-1889), во изведба на кастрат на папскиот хор, Алесандро Морески (1858-1922). Морески е единствениот кастрат од кого постои снимка, и претставува единствен увид во оваа некогашна музичка традиција. Запись песни "Hostias Et Preces" Евгенио Терзиани (1824-1889), в исполнении последнего оставшихся в живых кастрата хора Папы, Алессандро Морески (1858-1922). Морески, как единственный записанный кастрат, воспитанный в старой традиции, даёт нам представлене о том, на что была похожа утерянная музыкальная традиция. Tiếng Việt: Một bản thu "Hostias Et Preces" của Eugenio Terziani (1824-1889), được hát bởi castrato cuối cùng trong ca đoàn của Giáo hoàng, Alessandro Moreschi (1858-1922). Moreschi, là castrato được huấn luyện duy nhất được thu âm lại, cho chúng ta một cái nhìn tổng quan về một truyền thống âm nhạc nay đã không còn.

William Byrd. The battell from My Ladye Nevells booke of virginall musicke.

William Byrd. The marche before the battell from My Ladye Nevells booke of virginall musicke.

William Byrd. The galliarde for the victorie from My Ladye Nevells booke of virginall musicke.

Performed by Mr. William Edens.